In Enlightenment Edinburgh, Allan Ramsay (c. 1684 1758) was a foundationally important poet, dramatist, song collector, theatre owner, cultural leader in art and music, and innovative entrepreneur in many spheres from language to libraries. This series, the result of an international research project, presents Ramsay's complete works in a dependable scholarly edition for the first time, thereby illuminating a body of work crucial in its own right and essential to both the Scottish Enlightenment and the Vernacular Revival associated with Fergusson, Burns and others. Ramsay's pastoral comedy The Gentle Shepherd (1725; 1729) went through over a hundred editions, was performed many hundreds of times and inspired a wide range of visual representations and critiques. Although it is one of the most important printed texts in Scots literature, there has never been a scholarly edition which does justice to its complicated genesis and to the music of its many songs. This groundbreaking and definitive edition will be welcomed by scholars, teachers and practitioners of literature, drama and music, and opens up new avenues for research and performance.

Gallipoli. Virtually unheard of prior to 1915, the very name of the Turkish peninsula bordering the Dardanelles - the narrow waterway linking the Mediterranean with the Black Sea - now conjures up visions of privation and hardship and death which even surpass the horrors of the trench warfare on the Western Front. The barren landscape was the backdrop to a horrific campaign between April 1915 and January 1916 in which upwards of 1000,000 men lost their lives. For the Allies it was a battle fought in vain for the invasion forces were withdrawn for no gain, but for the Turkish army it was a marvellous victory in what they refer to as their Canakkale War. Steve Newman has visited Gallipoli several times in his study of the campaign and he spent a strenuous 10 days on the peninsula in June 1999 to take the comparisons in a temperature of over 100 degrees. The book provides a link between past and present; from one century to the next; that the deeds of those whose bones lie buried "in a foreign field" shall not be forgotten.

Ballad Collection, Lyric, and the Canon The Call of the Popular from the Restoration to the New Criticism Steve Newman "Elegant and original in its formulations, "Ballad Collection, Lyric, and the Canon" provides a new starting place for thinking about the presence and meanings of the ballad within modern poetics."--Anne Janowitz, Queen Mary, University of London "A timely contribution to the growing area of interest in popular culture, particularly as it affects the long eighteenth century."--Murray Pittock, University of Manchester The humble ballad, defined in 1728 as "a song commonly sung up and down the streets," was widely used in elite literature in the eighteenth century and beyond. Authors ranging from John Gay to William Blake to Felicia Hemans incorporated the seemingly incongruous genre of the ballad into their work. Ballads were central to the Scottish Enlightenment's theorization of culture and nationality, to Shakespeare's canonization in the eighteenth century, and to the New Criticism's most influential work, "Understanding Poetry." Just how and why did the ballad appeal to so many authors from the Restoration period to the end of the Romantic era and into the twentieth century? Exploring the widespread breach of the wall that separated "high" and "low," Steve Newman challenges our current understanding of lyric poetry. He shows how the lesser lyric of the ballad changed lyric poetry as a whole and, in so doing, helped to transform literature from polite writing in general into the body of imaginative writing that became known as the English literary canon. For Newman, the ballad's early lack of prestige actually increased its value for elite authors after 1660. Easily circulated and understood, ballads moved literature away from the exclusive domain of the courtly, while keeping it rooted in English history and culture. Indeed, elite authors felt freer to rewrite and reshape the common speech of the ballad. Newman also shows how the ballad allowed authors to access the "common" speech of the public sphere, while avoiding what they perceived as the unpalatable qualities of that same public's increasingly avaricious commercial society. Steve Newman teaches English at Temple University. 2007 304 pages 6 x 9 3 illus. ISBN 978-0-8122-4009-2 Cloth $65.00s 42.50 ISBN 978-0-8122-0293-9 Ebook $65.00s 42.50 World Rights Literature Short copy: Compelling and insightful, "Ballad Collection, Lyric, and the Canon" makes an important contribution to our understanding of the ballad and its long-ranging impact on the institution of literature.

For several decades, interest in the British Romantics' theorizations and representations of the world beyond their national borders has been guided by postcolonial and, more recently, transatlantic paradigms. Global Romanticism: Origins, Orientations, and Engagements, 1760-1820 charts a new intellectual course by exploring the literature and culture of the Romantic era through the lens of long-durational globalization. In a series of wide-ranging but complementary chapters, this provocative collection of essays by established scholars makes the case that many British Romantics were committed to conceptualizing their world as an increasingly interconnected whole. In doing so, moreover, they were both responding to and shaping early modern versions of the transnational economic, political, sociocultural, and ecological forces known today as globalization.